It will also be the subject of study and practice the Rhythm changes harmonic structure and the Jazz Blues with harmonic variations. part (4 lessons), we enter improvisation using scales and modes (modal scales) and chord-scale relationship. It Don't Mean a Thing (If It Ain't Got That Swing).Our work is based on these standards (8 lessons): Using notes and blues scale, the pentatonic scale, the major and minor In the 1st part the concepts developed are mostly harmonic (chords) and improvisational stage begins with the variation of the theme, the phrases formation from the arpeggios, embellishments and extensions using diatonicĬhords. The online course is divided into 2 parts. (it is clear that something we also have to study), we started playing jazz standard. We did not start with theory, scales, modes, progressions only, etc. The basis of the course is the analysis and study of Jazz standards supplemented by technical exercises, harmonic and melodic concepts of improvisation and accompaniment.Īnalyzing and playing from the beginning, we will see how the theory and assimilation will be the logical consequence of what we are practicing with the instrument.
The course is aimed at accordionists (Stradella Bass) with an intermediate-advanced technical level, knowledge of chords and personal and/or professional interest for practice jazz improvisation. The Jazz accordion course is designed and developed by and for the accordionist and summarizes in a practical way everything you need to improvise fluidly. The answer is easy: it's in the same score, only needs to see and find everything that is not written. Or perhaps, despite the many jazz methods and texts available, front of a score with melody and chord symbols becomes once again the question: What do I do?įor anyone who has passed this first question, get a second: Something touched him, but why does not sound like Jazz? or. Improvisation and swing for many is natural and for many others it is not because the study of the instrument has been based on the strict score reading. It's a unique thing, causes and adds surprises that feed the desire to improvise more and more. Improvising is probably the most creative and fun that a musician can do with your instrument.
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